In this, part two of Dr. White’s commentary on Shakespeare’s Much Ado About Nothing, he outlines the plot: built around eavesdropping and gossiping. It is a comedy, according to White, which contains two of the greatest comic scenes ever written. Interspersed with selected readings, Dr. White emphasizes the huge importance of words, and how language in this play is used as weaponry. It is what White calls a “serious” comedy. And he points out how the play evokes the image of the Virgin Mary, the model for all women; and he describes the parallels between this Shakespeare work and Dante’s Divine Comedy.
The Winter’s Tale is rich in messages to the Catholic audiences of Shakespeare’s time, but did not threaten his role as a public playwright in the company of the king, James I. Shakespeare was forced to do two things simultaneously throughout his career: remain a loyal subject, and write Catholic plays. The Winter’s Tale contains coded messages that gave hope to Catholics who suffered persecution. The king accuses his wife of infidelity and condemns the accused father to death. The king’s loyal servant, Camillo, warns the accused father and together they flee to Bohemia. Bohemia, at that time offered refuge to Catholics fleeing persecution. Pope Paul V (1605–1621) was born Camillo Borghese and was the reigning pope at the time of the production of this play. This is code but it is obvious. Camillo is the good servant working behind the scenes. This play is saying indirectly that the pope is in charge, trust him, he is doing what he can. Paulina, who defends the innocence of the queen, is based on Maudlin Brown who spoke out in defense of the Faith. The conflict at the start of the play concludes with reunion of all those who were separated.
In part one of Dr. White’s commentary on Shakespeare’s Twelfth Night, he points out that this particular comedy makes obvious references to the 12 days of Christmas, with the “twelfth night” as the end of festivities. And the plot of the play is also connected to the Feast of the Epiphany, i.e., seeing the truth where others fail to see it. This play contains a host of strong-willed characters and numerous cases of mistaken identity wherein they are unable to see the truth about themselves. It’s a play that reminds us we are human. A great comedy, according to Dr. White, but one sprinkled with sorrow and sadness.
Flannery O’Connor’s “Revelation” is, according to Dr. White, not just a great Catholic story but a great piece of literature. He likens it to old fashioned Catholic art, i.e., stories taken from scripture and presented in dramatic form. Interspersed with his impassioned readings, Revelation is what Dr. White considers to be to be a Catholic truth; derived from the Gospel of St. Luke, presented directly and openly; and the first representation of purgatory in literature since Dante.
In this talk Dr. White discusses O’Connor’s “A Good Man is Hard to Find” within the context of the four stages of violent charity; which like Christ’s suffering is a charity that wounds. He opines that it is O’Connor’s vision that the modern world is mad, sealed off from God’s grace. Dr. White discusses what he describes as the comic first half of the story along with the shocking second half.
Here Dr. White makes passing reference to O’Connor’s affection for the films of W.C. Fields, as he segues into a discussion of “Everything That Rises Must Converge.” White characterizes this story as frightening, and one in which O’Connor presents an empty, dead world wherein she deals with intellectual pride and the racism of the deep South in a bygone era.
