Eleison Comments

Femininity Rediscovered

Femininity Rediscovered on November 14, 2009

When a walled town is being besieged, and the enemy are continually attacking one part of the walls, the townspeople must continue to defend that part of the walls. Today the Enemy of mankind, Satan, is continually attacking true womanhood, because without true women there can be no true mothers, no true family life, no truly happy children and finally no truly human beings. I wish I could quote the complete testimony of another ex-feminist who wrote to me several months ago to thank me for, as she now sees it, “affirming and supporting our true nature as women.” The following is a cruelly brief summary of her classic letter:—

“Born in the mid-1960’s, I had a violent and abusive father, and I have lacked a father figure ever since. After he died when I was 14, I rejected my Catholic faith and left the Church – it is difficult to believe in a loving God when you are not loved by your own parents. Away from the Church I embraced radical feminism and paganism, and I came to hate dresses because they were portrayed as an inferior form of clothing to what boys wore. I wonder where I got the idea that women are weak? I now understand that women aren’t weak at all, but we are strong in different ways from men.

“I went to college determined to prove that I could do anything a man could do, but in my next seven years as a police officer I realized that the aggressiveness and dominance needed by the job just did not come naturally to me, and that I could never be as physically strong as the men. So I equated any sign of femininity in me with weakness. At the same time, as a radical feminist, I hated men, and wanted not to need one, and because of all that feminist garbage, I almost never married. But in my mid-thirties I realized I ran the risk of being alone for the rest of my life, so I decided to date. Soon afterwards I met my future husband.

“When he asked me to wear a dress because it was more attractive, I exploded! However, I did try it just to please him. Then my behaviour slowly changed, and as I began to act and to feel more feminine, I discovered that I liked feeling feminine because it felt natural to me. When after some time we married, my priorities changed and I wanted so much to stay at home. At work I can be assertive, but I don’t enjoy it. I now understand that it is normal for me as a woman to prefer not to lead, because that is the way God designed me. I have spent my entire working life trying to compete with men and to be like men, and it has made me unhappy and feel like a failure because try as I might, I am not like men and never will be, because I am not a man.

“It was my husband’s love that enabled me after 26 years to return to the Church, kicking and screaming, but God was calling! There I found everything somewhat different from what I remembered, and to begin with I disagreed with the Church’s position on all questions involving women. But as I read more, my eyes were opened, and I realized amongst other things how the way I dress shapes my feelings and even my personality. When I wear dresses or skirts I feel gentle and feminine, more natural. My on-going education on the Church’s teachings on the role of women, which includes “Letters from the Rector,” has helped me to gain respect for myself as a woman and not as a pseudo-man. It is to the detriment of everyone that feminism has become ingrained in our culture.” (End of the testimony.)

Blessed Mother of God, please obtain for us manly men, without whom we will hardly have womanly women.

Kyrie eleison.

Frankfurt School

Frankfurt School on November 7, 2009

Valuable lessons for all friends or lovers of “Western civilisation” are to be culled from an analysis of the USA’s leftwards lurch in the 1960’s by a Californian Professor of Psychology, accessible at www.theoccidentalobserver.net/articles/MacDonald-WheatlandII.html . Professor Kevin MacDonald is there reviewing the critique of mass culture in a book on “The Frankfurt School in Exile.”

The Frankfurt School needs to be much better known. It was a small but highly influential group of non-Christian intellectuals who, when Hitler came to power, fled from Germany to the USA, where in conjunction with a like-minded group of New York Trotskyists they continued to exert an influence out of all proportion to their numbers. Feeling a profound alienation from the “traditional Anglo-American culture,” says MacDonald, they made war on it by promoting the individual against the family, multi-culture against White leadership, and modernism against tradition in all domains, especially the arts. “Theodor Adorno’s desire for a socialist revolution led him to favour Modernist music that left the listener feeling unsatisfied and dislocated – music that consciously avoided harmony and predictability.” The Frankfurt School wanted “the end of the order that bore the sonata.”

The Frankfurt School scorned the American people’s lack of desire for Revolution, and they blamed it on the people’s “passivity, escapism and conformism,” says the Professor, and on “late capitalist” control of the mass culture by, for instance, conservative organisations imposing moral standards on Hollywood. Yet when in the 1960’s they themselves gained control of the media, universities and politics, they exploited to the full the mass culture and Hollywood and the people’s on-going sleep-like condition to swing them to the left. The Professor laments the resulting vicious attack upon “White interests,” “White identity” and the “traditional people and culture of the West.”

The Professor is right on several counts. For instance, the war is not mainly between capitalism and communism, as the leftists originally thought, and as many Americans still think. Material comfort has lulled the American people to sleep, after the 1960’s as before them. Also, on or off the leash, Hollywood and culture play a huge part in moulding minds and masses (which is why “Eleison Comments” often treat of cultural topics). Also, there does exist a small group, conscious and resolute, of highly influential enemies of “traditional Western culture.”

However, to defend “White interests” the Professor needs to go well beyond White interests as such. The real problem is religious. Why did White Europeans ever have so much to give Because for centuries and centuries they co-operated with God’s grace to profit best by the Catholic Faith. Why does this small group of leftists so hate “Western culture”? Because it is the lingering remains of that Faith. And why did the small group become so powerful from the 1960’s onwards? Because at Vatican II the same “Whites” were mainly responsible for the Catholic officials’ betrayal of the Faith which took place at that Council. Today’s triumph of the leftists is no more nor less than a just punishment from God.

Professor, you are not asleep. Now pick up a Rosary!

Kyrie eleison.

Valid Bishops?

Valid Bishops? on October 31, 2009

Remarkable confirmation of the Society of St. Pius X’s balanced position on the validity of the Newchurch sacraments appeared last week in the bulletin of a fighting Gaul, “Courrier de Tychique.” From a “reliable source” it appears there that Freemasonry, ancient enemy of the Church, planned for the Conciliar Revolution to invalidate the Catholic sacraments, not by alteration of their Form, rendering them automatically invalid, but rather by an ambiguity of their Rite as a whole, undermining in the long run the Minister’s necessary sacramental Intention.

The “reliable source” is a Frenchman who heard directly from a venerable old priest some of what Cardinal Lienart on his deathbed confessed to the priest. No doubt fearing Hell, the Cardinal begged the priest to reveal it to the world, and thus released him from the Confessional seal. The priest was thenceforth discreet in public, but in private he was more forthcoming as to what the Cardinal revealed to him of Freemasonry’s three-point plan for the destruction of the Church. Whether or not he entered Freemasonry at the precocious age of 17, the Cardinal rendered it supreme service when only two days after the opening of Vatican II he wrenched the Council off course by demanding irregularly that the carefully prepared Traditional documents be rejected altogether.

According to the Cardinal, Freemasonry’s first objective at the Council was to break the Mass by so altering the rite as to undermine in the long run the celebrant’s Intention: “to do what the Church does.” Gradually the Rite was to induce priests and laity alike to take the Mass rather for a “memorial” or “sacred meal” than for a propitiatory sacrifice. The second objective was to break the Apostolic Succession by a new Rite of Consecration that would eventually undermine the bishops’ power of Orders, both by a new Form not automatically invalidating but ambiguous enough to sow doubt, and above all by a new Rite which as a whole would eventually dissolve the consecrating bishop’s sacramental Intention. This would have the advantage of breaking the Apostolic Succession so gently that nobody would even notice. Is this not exactly what many believing Catholics are now afraid of?

Howsoever it may be with the “reliable source,” in any case today’s Newchurch Rites of Mass and Episcopal Consecration correspond exactly to the Masonic plan as unveiled by the Cardinal. Ever since these new Rites were introduced in the late 1960’s and early 1970’s, many serious Catholics have refused to believe that they could be used validly. Alas, they are not automatically invalid (how much simpler if they were!). They are worse! Their sacramental Form is Catholic enough to persuade many a celebrant that they can be validly used, but they are designed as a whole to be so ambiguous and so suggestive of a non-Catholic interpretation as to invalidate the sacrament over time by corrupting the Intention of any celebrant either too “obedient” or insufficiently watching and praying.

Rites thus valid enough to get themselves accepted by nearly all Catholics in the short term, but ambiguous enough to invalidate the sacraments in the long term, constitute a trap satanically subtle. To avoid it, Catholics must on the one hand shun all contact with these Rites, but on the other hand they must not discredit their sound Catholic instincts by exaggerated theological accusations which depart from sound Catholic doctrine. It is not always an easy balance to keep.

Kyrie eleison.

“Tristan” Chord

“Tristan” Chord on October 24, 2009

Remarkable confirmation of the Society of St. Pius X’s balanced position on the validity of the Newchurch sacraments appeared last week in the bulletin of a fighting Gaul, “Courrier de Tychique.” From a “reliable source” it appears there that Freemasonry, ancient enemy of the Church, planned for the Conciliar Revolution to invalidate the Catholic sacraments, not by alteration of their Form, rendering them automatically invalid, but rather by an ambiguity of their Rite as a whole, undermining in the long run the Minister’s necessary sacramental Intention.

The “reliable source” is a Frenchman who heard directly from a venerable old priest some of what Cardinal Lienart on his deathbed confessed to the priest. No doubt fearing Hell, the Cardinal begged the priest to reveal it to the world, and thus released him from the Confessional seal. The priest was thenceforth discreet in public, but in private he was more forthcoming as to what the Cardinal revealed to him of Freemasonry’s three-point plan for the destruction of the Church. Whether or not he entered Freemasonry at the precocious age of 17, the Cardinal rendered it supreme service when only two days after the opening of Vatican II he wrenched the Council off course by demanding irregularly that the carefully prepared Traditional documents be rejected altogether.

According to the Cardinal, Freemasonry’s first objective at the Council was to break the Mass by so altering the rite as to undermine in the long run the celebrant’s Intention: “to do what the Church does.” Gradually the Rite was to induce priests and laity alike to take the Mass rather for a “memorial” or “sacred meal” than for a propitiatory sacrifice. The second objective was to break the Apostolic Succession by a new Rite of Consecration that would eventually undermine the bishops’ power of Orders, both by a new Form not automatically invalidating but ambiguous enough to sow doubt, and above all by a new Rite which as a whole would eventually dissolve the consecrating bishop’s sacramental Intention. This would have the advantage of breaking the Apostolic Succession so gently that nobody would even notice. Is this not exactly what many believing Catholics are now afraid of?

Howsoever it may be with the “reliable source,” in any case today’s Newchurch Rites of Mass and Episcopal Consecration correspond exactly to the Masonic plan as unveiled by the Cardinal. Ever since these new Rites were introduced in the late 1960’s and early 1970’s, many serious Catholics have refused to believe that they could be used validly. Alas, they are not automatically invalid (how much simpler if they were!). They are worse! Their sacramental Form is Catholic enough to persuade many a celebrant that they can be validly used, but they are designed as a whole to be so ambiguous and so suggestive of a non-Catholic interpretation as to invalidate the sacrament over time by corrupting the Intention of any celebrant either too “obedient” or insufficiently watching and praying.

Rites thus valid enough to get themselves accepted by nearly all Catholics in the short term, but ambiguous enough to invalidate the sacraments in the long term, constitute a trap satanically subtle. To avoid it, Catholics must on the one hand shun all contact with these Rites, but on the other hand they must not discredit their sound Catholic instincts by exaggerated theological accusations which depart from sound Catholic doctrine. It is not always an easy balance to keep.

Kyrie eleison.

“Tristan” Production

“Tristan” Production on October 17, 2009

After an absence from London’s Royal Opera House of some 40 years, it was delightful to be offered by friends last week a ticket to Wagner’s “Tristan and Isolde.” It did make a delightful evening, but oh dear! – the modern production! The classics of yesteryear are one thing. Their production on stage today can be quite another!

A classic like “Tristan and Isolde,” which was staged for the first time in 1865, becomes a classic because it succeeds in expressing human problems and solutions that belong to all the ages. Never for instance have the passions of romantic love between man and woman been so skilfully and powerfully expressed as in the music-drama of “Tristan.” But every time a classic drama is put on stage, its production can obviously belong only to the time of its staging. So the classic depends in itself on the author, but in its production on the producer, and on how he understands the classic he is producing.

Now Wagner can be called the father of modern music, especially through the revolution wrought by the chromatic harmonies of “Tristan,” constantly shifting. Nobody can say Wagner is not modern. Yet what the current production of “Tristan” at Covent Garden shows is the huge distance even between Wagner’s time and our own. This producer had either no understanding or no regard for Wagner’s text, as two little examples may show. In Act III when Kurwenal is meant to be looking out to sea for Isolde’s ship, he is shown watching Tristan all the time. On the contrary when Isolde finally rushes in to find Tristan dying, Wagner’s text has her of course scanning him for the least sign of life, but this producer has her on the floor with her back turned to him! This flagrant violation of the original text, and of common sense, ran through the production from beginning to end.

What did the producer think he was doing? I would like to know. Either he had no common sense, or if he had any, he set out deliberately to defy it. Worse, the Royal Opera House probably paid him a royal sum to do so, because it will have judged that today’s audiences would enjoy the defiance. One is reminded of Picasso saying that he knew his art was nonsense, but he also knew that it was what people wanted. Indeed last week’s audience, which should have been hooting such nonsense off the stage, instead watched docilely and applauded warmly. In Wagner’s own country today, unless I am mistaken, classic productions of his operas are rare.

One is bound to ask, what is happening to common sense? Where are today’s audiences going? How can a people long survive which takes pleasure, for example, in lovers turning their backs on one another at the moment of death? Objection: it is only theatre. Reply: theatre holds up the mirror to society. Conclusion: society today either has no common sense, or what little it still has, it is trampling on. Since common sense is the sense of reality, such a society cannot survive.

Kyrie eleison.

Faithless Europe

Faithless Europe on October 10, 2009

Poor Ireland! Poor Europe! Only 16 months ago the people of Ireland in a nation-wide referendum voted against the Treaty of Lisbon (2007), which would have drawn them more tightly into the European Union (EU), but this was not the popular decision that the politicians of Ireland and Europe wanted. So these made a few concessions, imposed a new referendum and got last week the vote they needed. Now the way is clear for a massive reform to stream-line decision-making in Brussels, and to increase the European Commission’s central power at the expense of each member State’s ability to veto its decisions.

What over a third of all eligible Irish voters seem to have chosen last week was surely the material prosperity and consumerism unknown in Ireland before they joined the EU in 1973. Contrast Dr Salazar, the devout Catholic leader of Portugal from 1932 to 1968. Knowing that life, politics and even economics are not just about cheap flights to golden beaches, he preferred for his country “poverty, but independence,” primarily from the international banksters. Their vile media promptly branded him as a “fascist dictator,” but the Portuguese people happily followed him, because it was the revival of their Catholic piety by Fatima (1917) which had brought Salazar to power in the first place.

Yet only 16 years after he died, Portugal joined the EU. Truly the onward march of God’s enemies in today’s world seems inexorable. Any attempt to resist them cuts more and more the figure of a sandcastle resisting the incoming tide. If it is well built, like Salazar’s Portugal, it lasts for a few moments, but give it a few more moments and it too vanishes beneath the waves washing over it. So all Europe is getting itself locked into the godless New World Order, for football and beaches!

Poor Europe! If anybody wants to know what is really going on inside the ever mightier European government in Brussels, “behind the gloss and the tinsel and the avalanche of publications telling us how wonderful and indispensable the EU is,” they should order from info@stewardspress.co.uk the short and well-written “Brussels Laid Bare” by Mrs Marta Andreasen, Member of the European Parliament (MEP). Hired by the EU to work from January of 2002 as Chief Accountant responsible for the entire EU budget, she tells how she immediately ran up against such wholesale maladministration of EU finances that, professionally, she could not “go along to get along.” She was rapidly isolated and discredited, and within five months she was sacked for having tried to do her job properly.

From first-hand experience she writes that Brussels is an extra layer of government “lawless, corrupt, mistaken, undemocratic, bureaucratic, over-regulated and, ultimately, unworkable.” This she attributes to there being in the EU virtually no accountability. Does it not occur to her that the EU may have hidden masters for whom corrupt servants are much easier to manipulate? There is no trace of any such suspicion in her book. She professes her resolve to fight on as an MEP. Alas, faithless Europe no longer deserves her kind, but if she does fight on, in one way or another she will be washed over, even suicided if necessary . . .

Kyrie eleison.