Catholic doctrine, dogma, Deposit of Faith

Flat Contradiction

Flat Contradiction on May 9, 2009

Ever since, with the Second Vatican Council, Catholic Authority and Catholic Truth substantially parted company, the Catholics who clung to Authority have had problems with the Truth, and the Catholics who clung to Truth have had problems with Catholic Authority. What could be more logical? Catholics on both sides long for a reunion. Especially amongst decent Conciliar Catholics, this takes the concrete form of the ardent wish that Pope Benedict XVI and the Society of St. Pius X come to an understanding.

Well and good. But there is a problem. Vatican II contradicts Catholic Truth, outside of which Catholic Authority dissolves, is now dissolving, because its Divine Master, Our Lord Jesus Christ, is “the Way, the Truth and the Life” (Jn. XIV,6). For proof of the contradiction, read for instance Michael Davies’ The Second Vatican Council and Religious Liberty, where he shows that while the Catholic Church has always taught that no man has a true right not to be prevented from propagating error, Vatican II (Dignitatis Humanae) taught that every man has a true right not to be prevented from propagating error (save public order – see Davies’ Chapter XXII in particular). The contradiction is direct.

At first sight it may seem unimportant, because what does it matter if a few crazy people more or a few crazy people less spout nonsense in public? But in fact the difference between the right and the non-right to propagate error is all the difference between Hollywood’s candy-on-a-leash deity, and the Lord God of Hosts, whose thunder and lightning struck terror into the hearts of the Israelites even miles distant from his flaming Mount Sinai (Exodus XX, 18–21).

For indeed all human action follows on some thought. But thought is uttered between men, or socialized, mainly with words. Thus the being and action of any human society hangs on exchanges of words. Therefore either truth and error in those exchanges are of no importance to the existence of any society or the direction it is taking, or any society must control public speech in its midst, at least sufficiently to check significant transmission of significant error.

Now the only limit set by Vatican II to public discourse is that it should not disturb “public order.” So for Vatican II, any heresy or blasphemy may be uttered in public so long as the police do not have to be called in, and any deity that may exist must bow down before this “freedom and dignity of the human person”! On the contrary the Lord God of Sinai, the Holy Trinity whose Second Person is Jesus Christ, tells us we will answer for every idle word (Mt. XII, 36), and even for sinful thoughts (Mt.V, 28). So in accordance with God’s Truth (and so long as it will do more good than harm), Catholic society checks the public propagation of error against Faith or morals.

Kyrie eleison.

Good Question

Good Question on April 25, 2009

On the blog-site of a certain Fr. John Zuhlsdorf appeared this week a number of comments provoked by “Difficult Discussions” appearing here a week ago. Many of these comments were relatively thoughtful – a compliment to Fr Zuhlsdorf. One went straight to the point: “Bishop Williamson is using terms without defining them. I’d really like to know if I am a Neo-modernist.” Joe Pinyan further wanted to know, “in order not to be in league with Baal,” whether he should be worshipping God rather at an SSPX Chapel than at a parish where both the “extraordinary” and “ordinary” forms of Mass are celebrated.

To offer Joe an answer, let me begin by defining Neo-modernism. It is the revival (“Neo-”), let loose within the Catholic Church by Vatican II (1962–1965), of the all-embracing heresy of Modernism. Modernism is the dreadful system of mind-rot, emerging over a century ago within the Church and solemnly condemned by St. Pius X in his Encyclical “Pascendi,” whereby the Catholic Church must be adapted to fit the modern world, as shaped by Protestantism and Liberalism. It is in fact the ultimate form of Liberalism, because by its Kantian principles it pretends to liberate man’s mind (and will) from any truth (or law) whatsoever.

Modernism is an especially hypocritical and dangerous error because it can leave intact the appearances of Catholicism even while emptying out its reality. Thus Jesus Christ is not really God, but I am free to make him God (for me) if I want to. Thus Catholic Truth and Law become whatever I care to make of them. Thus out of the Ten Commandments, I become free to obey none or all ten, because either way I am only obeying me. Neo-modernism is even more dangerous than Modernism, because by it the very highest of churchmen, instead of continuing like St.Pius X utterly to condemn Modernism, adopted it to establish it officially inside the Church!

Thus today Catholics have been made free to attend either the “extraordinary” or the “ordinary” form of Mass, according as they prefer the unchanging real God and his essentially unchanging true Mass, or both of them as suited to today’s world. Now this recent freeing of attendance at the true Mass may have proceeded from the best of intentions of Benedict XVI, but the real God imposes on all of us to worship him as he really is, and not as he has been downsized by modern man. So I hardly expect you to believe me against Rome, Joe, if I tell you to flee the “ordinary” form of Mass, but if you want nothing to do with the worship of Baal, then that is, objectively speaking, what you should do.

However, if you do wish to believe me, you must read! Alas, Pius X’s Pascendi makes for difficult reading. Start here on Dinoscopus with those “Eleison Comments” that treat of religion. Then graduate to the two books, soon to be four, advertised alongside. Then read anything written by Archbishop Lefebvre. Most important to obtain light, pray the Rosary to the Mother of the real God. And may God bless you.

Kyrie eleison.

Busted Compromising

Busted Compromising on March 28, 2009

Between the crisis of the Church, still compounding, and the economic crash now, as Americans say, “barrelling down the pike,” there is an interesting parallel to be drawn. Only those who think religion and economics have nothing to do with one another need be surprised. Both are seated in the same human beings and societies.

In both cases, according as, say over the last 300 years, man has moved further and further away from God, so he has made more and more compromises with the Truth and Laws of God and nature. But the nature of God and man and things cannot be changed, so that the moment comes when the compromising stretches too far from reality, and breaks down. That moment is today.

In economics, the founding of the Bank of England in 1694 was a major step on the way towards modern finance: central banks taking control of the money supply and therefore of the real government of the nations, by progressively replacing real deposits as the foundation of credit with fictitious credit as the foundation of “deposits.” Fake finance became global in the 20th century, and is being crashed in the 21st century to give to the money-men final control of world government. Alas, the sense of economic realities may have been lost too far back in the past for even real suffering and real riots to wrest that control from those who are masters of the mass of minds by their vile media.

In the Church, the steady diminution of the Faith over the 17th and 18th centuries gave rise to Concordats in the 19th and 20th centuries, by which the Church would renounce certain of her natural privileges in order to establish her most important rights by at least a contractual agreement with States where those privileges were no longer believed in. So it came to seem that instead of the human resting on the divine, the divine rested on the human, with the result that Catholic dogma may have remained for the 19th century anchored in God’s Truth, but when with the 20th century’s modernism and Vatican II the same shift towards man took over even Catholic doctrine, then the Church’s very structures immediately began to fall in ruins, today still piling up.

In both economics and religion, the remedy can only be to go in time forward by going back to healthy basics, and by giving up on trying to extend the series of unhealthy compromises with a world that has run itself onto the rocks. However, whereas in economics the enemies of mankind may win, in religion we have God’s own promise (Mt. XVI, 18–20) that they will not prevail over the Catholic Church. So we prepare to suffer, but we pray, especially for the Pope, with an unshakable trust in God.

Kyrie eleison.

Getting Serious

Getting Serious on February 28, 2009

Another good friend will not mind if I quote recent correspondence of ours, because he asked a question which a number of souls may be asking: “What to do now?”

He quoted back to me from a letter of mine to him two years ago: “As for the ability of Catholic Tradition and naturally sensible people to respond adequately to this unprecedented crisis of human nature, I think that if these days are not shortened, everybody will go under. Of course the Catholic Church will survive, but maybe in a rather smaller remnant, by a severe purge of what today goes under the name of ‘Tradition’ .” And I went on to wonder how many good souls in 2007 had a sufficient grasp on the big picture (not just on the mechanics of Tradition) to prevent their being in effect left high and dry, not to say positively undermined, “by the corruption sweeping on, around and beneath them.”

After this quote of mine, my friend then asked, “Where do we go from here? With the horrible effects of the economic implosion reaching down to Main Street and the political upheaval naturally following in its wake, where are we in history and what do men like myself now do? I have not spent my life fighting for the Faith to finish up defending an American Indian-style reservation for Catholics!”

As to the economic disaster, I replied to him a week ago that it is now only starting, and that it means that family fathers like him must look to ensuring the basics of survival for their families. I said it will surely come to hunger and starvation, and I could have added, to blood in the suburbs. The Western peoples and therefore their politicians are so far out of touch with reality that only an appalling Third World War can begin to bring them back to it. War will present itself to such politicians as the only possible way out of the insoluble economic problems. Another 9/11 risks being fabricated to start it.

As for the disaster in the Church and our situation in history, I replied that it means we must pray quietly, steadily and seriously, as though the Lord God is important. With the 313 AD victory of the Roman Emperor Constantine at the Battle of the Milvian Bridge, Catholics switched from fighting lions to fighting heresies, but with Vatican II rotting out both Faith and minds, the official Church gave up fighting heresy, so for Catholics it is back to fighting mindless beasts in the arena. Another Age of Martyrs is upon us. “Today’s Catholic Church,” I concluded, “desperately needs friends of God as serious as are his enemies,” because such seriousness is alone capable of conquering them for Our Lord. Moreover such seriousness “can no longer be proved with mere words, which have been worn bare of meaning, but only with” – and we come back to – “blood.”

Dear friend, pray the family Rosary, plant potatoes in the garden and teach your children about the martyrs of the Early Church, whose testimony reaches way back beyond any native reservations.

Kyrie eleison.

God’s Grandeur

God’s Grandeur on February 21, 2009

To celebrate the return of a native to his English homeland after 35 years of wandering abroad, let us take a brief look at a famous sonnet of the 19th century English Jesuit priest and poet, Fr. Gerard Manley Hopkins. Most suitably the sonnet commemorates the greatness of God. Let anyone who has never met with Hopkins prepare for a bumpy ride, but let him stay with it, because the ride is worth it. Here is “God’s Grandeur”:

The world is charged with the grandeur of God.

It will flame out, like shining from shook foil;

It gathers to a greatness, like the ooze of oil

Crushed. Why do men then now not reck his rod?

Generations have trod, have trod, have trod;

And all is seared with trade; bleared, smeared with toil;

And wears man’s smudge and shares man’s smell: the soil

Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;

There lives the dearest freshness deep down things;

And though the last lights off the black West went

Oh, morning, at the brown brink eastward, springs—

Because the Holy Ghost over the bent

World broods with warm breast and with ah! bright wings.

Hopkins was born in 1844, the first of nine children of a High Anglican couple. A bright schoolboy, he obtained a scholarship to Balliol College, Oxford, where he became the star scholar in classical studies. Coming under the influence of John Henry Newman, famous Oxford convert to Catholicism 20 years earlier, Hopkins became Catholic one year before leaving Oxford, and at the age of 23 entered the Society of Jesus. In the course of his studies he came across the theology and philosophy of Duns Scotus which revived his interest in writing, and there rose up from within him a wholly personal vision of unchanging nature and English poetry. In 1877 he was ordained priest and did parish work in England. In 1884 he was moved to Dublin, where in 1889 he died of typhus, saying, “I am so happy.”

Therefore Hopkins’ life was wholly framed within the 19th century, hey-day of English Liberalism and Romanticism. However, that within him which made him convert to Catholicism and become a priest made his Romanticism quite different from that of his contemporaries, who could mostly hear only “the melancholy, long, withdrawing roar” of faith, of God, of hope. “God’s Grandeur” is full of God, and full of hope.

Cast in classic sonnet form, the poem’s first four lines tell of God’s greatness flashing and oozing forth from all Creation. Then how (line 4) can modern man be paying him so little attention? The answer (l.5–8) is that centuries of living for money (“trade”) have cut man off from nature (“nor can foot feel”), and stripped both man and nature (“soil is bare”) of God. Yet (l.9–14) God is still there, deep within natural things, as ever. Man may be putting out the lights of Western civilisation, still God is constantly recreating the world with brightness and warmth.

On a first reading, the originality of Hopkins’ language and imagery may be off-putting. Who ever heard for instance of the Lord God being compared to tin-foil or to oil? But inside Hopkins is a new wine which will not go into old bottles. To get his message across, the lifelessness of modern man, he resorts to repetitions (“trod . . .trod . . .trod”: “seared . . . bleared . . .smeared”), and in 12 of the 14 lines he uses old-fashioned alliterations (“smudge,smell,”“foot, feel,”etc.).

As for the rhythm, instead of the classic English iambic pentameter (te-tum,te-tum,te-tum,te-tum,te-tum), we have a variety of feet and a varying number of beats to a line, from three (L9,13), to five (l.10), mostly four (e.g. the first line).

However, let nobody think Hopkins is indisciplined. He has chosen the Petrarchan sonnet form which allows of only four different rhymes for the 14 lines (here:— od, – oil, – ent and – ings), which for an English poet is quite demanding. And notice how carefully crafted is the last line of the sonnet, its climax:— “World broods” matches “warm breast” and balances “bright wings” (wb, wb, bw), while the spondees (tum, tum) “World broods” and “bright wings” at each end frame two anapaests (te-te-tum) “with warm breast” and “and with ah!.” Read the line slowly aloud, and see if you do not get a kick out of Fr. Hopkins!

Clearly he has no interest in being original for its own sake. Rather from within the liberal 19th century, decadent and growing tired, the convert-priest has a fresh vision of Creation and its Creator which calls for fresh language and rhythms. In truth, whoever recovers God will recover originality!

Could weary men but once more find their way

To God, how light and fresh would dawn the day!

Kyrie eleison.

Heroic Harmonies

Heroic Harmonies on February 7, 2009

Just before the media uproar of the last two weeks a dear friend asked me to write about any piece of music that I especially liked. It would have to be a piece by Beethoven (1770 – 1827). Then I might single out the first movement of his Third Symphony, known as the “Eroica,” or Heroic Symphony.

Really the whole symphony is heroic. It is the musical portrait of a hero, originally Napoleon, until Beethoven learned that from First Consul of the French Republic he had made himself into an old-style Emperor of the French Empire, whereupon Beethoven ripped out the dedication page to Napoleon and dedicated the symphony instead to a hero. But the music remained unchanged: the revolutionary expression of Beethoven’s ardent hopes for a heroic new age of mankind to emerge from a tired old order of kings and cardinals.

It was however that old order, as expressed by Haydn (1732 – 1809) and Mozart (1756 – 1791) in particular, that gave to Beethoven the musical structures within which to shape and contain his dramatic new emotions. The first movement of the “Eroica” was unprecedentedly long in Beethoven’s own day – over 600 bars, lasting in performance anywhere around a quarter of an hour. Yet from first bar to last, the varied wealth and dynamic force of the musical ideas owe their tight unity and overarching control to the classical sonata form which Beethoven had inherited from the 18th century: Exposition, Development and Recapitulation (ABA), with a Coda mighty enough (innovation of Beethoven) to balance the Development (ABAC).

Leaping into action with two E flat major chords, the hero strides forth with his main theme, the first subject, built solidly out of that chord. The theme goes to war. A valiant re-statement precedes several new ideas of varying rhythms, keys and moods until moments of calm come with the classically more quiet second subject. But war soon returns, with off-beat rhythms and violent struggle, culminating in six hammering chords in two-time cutting right across the movement’s three-time. A few vigorous bars close the Exposition.

Upheavals and calm alternate for the rest of the movement. Notable in the Development is the most tremendous upheaval of all, culminating in a threefold shattering discord of F major with E natural in the brass, out of which mouth of the lion comes the honey of a brand-new lyrical melody, but still striding! Notable in the Coda is the fourfold repetition of the hero’s triumphant main theme, climaxing with inexorable logic in a blaze of glory. Lord, grant us heroes of the Faith, heroes both tender and valiant, heroes of the Church!

Kyrie eleison.