Catholic Church

Flat Contradiction

Flat Contradiction on May 9, 2009

Ever since, with the Second Vatican Council, Catholic Authority and Catholic Truth substantially parted company, the Catholics who clung to Authority have had problems with the Truth, and the Catholics who clung to Truth have had problems with Catholic Authority. What could be more logical? Catholics on both sides long for a reunion. Especially amongst decent Conciliar Catholics, this takes the concrete form of the ardent wish that Pope Benedict XVI and the Society of St. Pius X come to an understanding.

Well and good. But there is a problem. Vatican II contradicts Catholic Truth, outside of which Catholic Authority dissolves, is now dissolving, because its Divine Master, Our Lord Jesus Christ, is “the Way, the Truth and the Life” (Jn. XIV,6). For proof of the contradiction, read for instance Michael Davies’ The Second Vatican Council and Religious Liberty, where he shows that while the Catholic Church has always taught that no man has a true right not to be prevented from propagating error, Vatican II (Dignitatis Humanae) taught that every man has a true right not to be prevented from propagating error (save public order – see Davies’ Chapter XXII in particular). The contradiction is direct.

At first sight it may seem unimportant, because what does it matter if a few crazy people more or a few crazy people less spout nonsense in public? But in fact the difference between the right and the non-right to propagate error is all the difference between Hollywood’s candy-on-a-leash deity, and the Lord God of Hosts, whose thunder and lightning struck terror into the hearts of the Israelites even miles distant from his flaming Mount Sinai (Exodus XX, 18–21).

For indeed all human action follows on some thought. But thought is uttered between men, or socialized, mainly with words. Thus the being and action of any human society hangs on exchanges of words. Therefore either truth and error in those exchanges are of no importance to the existence of any society or the direction it is taking, or any society must control public speech in its midst, at least sufficiently to check significant transmission of significant error.

Now the only limit set by Vatican II to public discourse is that it should not disturb “public order.” So for Vatican II, any heresy or blasphemy may be uttered in public so long as the police do not have to be called in, and any deity that may exist must bow down before this “freedom and dignity of the human person”! On the contrary the Lord God of Sinai, the Holy Trinity whose Second Person is Jesus Christ, tells us we will answer for every idle word (Mt. XII, 36), and even for sinful thoughts (Mt.V, 28). So in accordance with God’s Truth (and so long as it will do more good than harm), Catholic society checks the public propagation of error against Faith or morals.

Kyrie eleison.

Good Question

Good Question on April 25, 2009

On the blog-site of a certain Fr. John Zuhlsdorf appeared this week a number of comments provoked by “Difficult Discussions” appearing here a week ago. Many of these comments were relatively thoughtful – a compliment to Fr Zuhlsdorf. One went straight to the point: “Bishop Williamson is using terms without defining them. I’d really like to know if I am a Neo-modernist.” Joe Pinyan further wanted to know, “in order not to be in league with Baal,” whether he should be worshipping God rather at an SSPX Chapel than at a parish where both the “extraordinary” and “ordinary” forms of Mass are celebrated.

To offer Joe an answer, let me begin by defining Neo-modernism. It is the revival (“Neo-”), let loose within the Catholic Church by Vatican II (1962–1965), of the all-embracing heresy of Modernism. Modernism is the dreadful system of mind-rot, emerging over a century ago within the Church and solemnly condemned by St. Pius X in his Encyclical “Pascendi,” whereby the Catholic Church must be adapted to fit the modern world, as shaped by Protestantism and Liberalism. It is in fact the ultimate form of Liberalism, because by its Kantian principles it pretends to liberate man’s mind (and will) from any truth (or law) whatsoever.

Modernism is an especially hypocritical and dangerous error because it can leave intact the appearances of Catholicism even while emptying out its reality. Thus Jesus Christ is not really God, but I am free to make him God (for me) if I want to. Thus Catholic Truth and Law become whatever I care to make of them. Thus out of the Ten Commandments, I become free to obey none or all ten, because either way I am only obeying me. Neo-modernism is even more dangerous than Modernism, because by it the very highest of churchmen, instead of continuing like St.Pius X utterly to condemn Modernism, adopted it to establish it officially inside the Church!

Thus today Catholics have been made free to attend either the “extraordinary” or the “ordinary” form of Mass, according as they prefer the unchanging real God and his essentially unchanging true Mass, or both of them as suited to today’s world. Now this recent freeing of attendance at the true Mass may have proceeded from the best of intentions of Benedict XVI, but the real God imposes on all of us to worship him as he really is, and not as he has been downsized by modern man. So I hardly expect you to believe me against Rome, Joe, if I tell you to flee the “ordinary” form of Mass, but if you want nothing to do with the worship of Baal, then that is, objectively speaking, what you should do.

However, if you do wish to believe me, you must read! Alas, Pius X’s Pascendi makes for difficult reading. Start here on Dinoscopus with those “Eleison Comments” that treat of religion. Then graduate to the two books, soon to be four, advertised alongside. Then read anything written by Archbishop Lefebvre. Most important to obtain light, pray the Rosary to the Mother of the real God. And may God bless you.

Kyrie eleison.

Busted Compromising

Busted Compromising on March 28, 2009

Between the crisis of the Church, still compounding, and the economic crash now, as Americans say, “barrelling down the pike,” there is an interesting parallel to be drawn. Only those who think religion and economics have nothing to do with one another need be surprised. Both are seated in the same human beings and societies.

In both cases, according as, say over the last 300 years, man has moved further and further away from God, so he has made more and more compromises with the Truth and Laws of God and nature. But the nature of God and man and things cannot be changed, so that the moment comes when the compromising stretches too far from reality, and breaks down. That moment is today.

In economics, the founding of the Bank of England in 1694 was a major step on the way towards modern finance: central banks taking control of the money supply and therefore of the real government of the nations, by progressively replacing real deposits as the foundation of credit with fictitious credit as the foundation of “deposits.” Fake finance became global in the 20th century, and is being crashed in the 21st century to give to the money-men final control of world government. Alas, the sense of economic realities may have been lost too far back in the past for even real suffering and real riots to wrest that control from those who are masters of the mass of minds by their vile media.

In the Church, the steady diminution of the Faith over the 17th and 18th centuries gave rise to Concordats in the 19th and 20th centuries, by which the Church would renounce certain of her natural privileges in order to establish her most important rights by at least a contractual agreement with States where those privileges were no longer believed in. So it came to seem that instead of the human resting on the divine, the divine rested on the human, with the result that Catholic dogma may have remained for the 19th century anchored in God’s Truth, but when with the 20th century’s modernism and Vatican II the same shift towards man took over even Catholic doctrine, then the Church’s very structures immediately began to fall in ruins, today still piling up.

In both economics and religion, the remedy can only be to go in time forward by going back to healthy basics, and by giving up on trying to extend the series of unhealthy compromises with a world that has run itself onto the rocks. However, whereas in economics the enemies of mankind may win, in religion we have God’s own promise (Mt. XVI, 18–20) that they will not prevail over the Catholic Church. So we prepare to suffer, but we pray, especially for the Pope, with an unshakable trust in God.

Kyrie eleison.

Getting Serious

Getting Serious on February 28, 2009

Another good friend will not mind if I quote recent correspondence of ours, because he asked a question which a number of souls may be asking: “What to do now?”

He quoted back to me from a letter of mine to him two years ago: “As for the ability of Catholic Tradition and naturally sensible people to respond adequately to this unprecedented crisis of human nature, I think that if these days are not shortened, everybody will go under. Of course the Catholic Church will survive, but maybe in a rather smaller remnant, by a severe purge of what today goes under the name of ‘Tradition’ .” And I went on to wonder how many good souls in 2007 had a sufficient grasp on the big picture (not just on the mechanics of Tradition) to prevent their being in effect left high and dry, not to say positively undermined, “by the corruption sweeping on, around and beneath them.”

After this quote of mine, my friend then asked, “Where do we go from here? With the horrible effects of the economic implosion reaching down to Main Street and the political upheaval naturally following in its wake, where are we in history and what do men like myself now do? I have not spent my life fighting for the Faith to finish up defending an American Indian-style reservation for Catholics!”

As to the economic disaster, I replied to him a week ago that it is now only starting, and that it means that family fathers like him must look to ensuring the basics of survival for their families. I said it will surely come to hunger and starvation, and I could have added, to blood in the suburbs. The Western peoples and therefore their politicians are so far out of touch with reality that only an appalling Third World War can begin to bring them back to it. War will present itself to such politicians as the only possible way out of the insoluble economic problems. Another 9/11 risks being fabricated to start it.

As for the disaster in the Church and our situation in history, I replied that it means we must pray quietly, steadily and seriously, as though the Lord God is important. With the 313 AD victory of the Roman Emperor Constantine at the Battle of the Milvian Bridge, Catholics switched from fighting lions to fighting heresies, but with Vatican II rotting out both Faith and minds, the official Church gave up fighting heresy, so for Catholics it is back to fighting mindless beasts in the arena. Another Age of Martyrs is upon us. “Today’s Catholic Church,” I concluded, “desperately needs friends of God as serious as are his enemies,” because such seriousness is alone capable of conquering them for Our Lord. Moreover such seriousness “can no longer be proved with mere words, which have been worn bare of meaning, but only with” – and we come back to – “blood.”

Dear friend, pray the family Rosary, plant potatoes in the garden and teach your children about the martyrs of the Early Church, whose testimony reaches way back beyond any native reservations.

Kyrie eleison.

Church Godless

Church Godless on February 14, 2009

An interesting portrait of the pre-Conciliar Catholic Church is drawn in a recent film, called “Doubt.” The film contains no nudity, bad language or violence, except verbal in a few heated conversations, and it earned for the famous lead actress, Meryl Streep, a prestigious award for her playing of the part of Mother Superior of a Brooklyn convent in the New York of 1964.

The film centres around the clash between herself and the local parish priest. Both are directly concerned in the running of the parish school, where Mother Superior discovers that Father may be molesting one of the boys. She sets out to track him down, and arrives at the conviction that he is guilty. However, the result of her inquest is merely that the priest is promoted by his bishop to a rather better parish in the diocese. The film ends with the woman of iron breaking down in tears.

At first sight the clash is between a nun of the old Church and a priest of the Conciliar Church. She is shown as a strict disciplinarian with an old-fashioned knowledge of human nature and of children, using a time-honored bag of methods and tricks to keep them under control, and to keep the priest in line.

He, on the contrary, is shown doubting the old certainties – hence the film’s title – and treating the children and Sisters with a much more modern emphasis on love, spelt luv!

Now for sure and certain the priest in trouble, and the hierarchy that covers up for him to get out of trouble, belong to the Conciliar Church, and foreshadow a scene all too familiar. But when we see Mother Superior in tears because he has been promoted, we have to ask ourselves, why is she crumbling? – she is not shown then pulling herself together. Does she believe in God or in her bishop?

If she believed in God, how could she let herself be so shaken? If she is so shaken, she must have believed all too humanly in the human hierarchy, which sure enough has let her down. Thus while the merely human drama is between two people, the real drama for Catholics with eyes to see is a whole Church collapsing for lack of God.

Mother Superior clings humanly to a decent discipline, but nothing in Meryl Streep’s performance suggests that that discipline is anchored in God. Still less anchored in God is the priest making merely human love float on top of doubt.

The Church of 1964, as here portrayed to the life, was doomed.

Kyrie eleison.

Heroic Harmonies

Heroic Harmonies on February 7, 2009

Just before the media uproar of the last two weeks a dear friend asked me to write about any piece of music that I especially liked. It would have to be a piece by Beethoven (1770 – 1827). Then I might single out the first movement of his Third Symphony, known as the “Eroica,” or Heroic Symphony.

Really the whole symphony is heroic. It is the musical portrait of a hero, originally Napoleon, until Beethoven learned that from First Consul of the French Republic he had made himself into an old-style Emperor of the French Empire, whereupon Beethoven ripped out the dedication page to Napoleon and dedicated the symphony instead to a hero. But the music remained unchanged: the revolutionary expression of Beethoven’s ardent hopes for a heroic new age of mankind to emerge from a tired old order of kings and cardinals.

It was however that old order, as expressed by Haydn (1732 – 1809) and Mozart (1756 – 1791) in particular, that gave to Beethoven the musical structures within which to shape and contain his dramatic new emotions. The first movement of the “Eroica” was unprecedentedly long in Beethoven’s own day – over 600 bars, lasting in performance anywhere around a quarter of an hour. Yet from first bar to last, the varied wealth and dynamic force of the musical ideas owe their tight unity and overarching control to the classical sonata form which Beethoven had inherited from the 18th century: Exposition, Development and Recapitulation (ABA), with a Coda mighty enough (innovation of Beethoven) to balance the Development (ABAC).

Leaping into action with two E flat major chords, the hero strides forth with his main theme, the first subject, built solidly out of that chord. The theme goes to war. A valiant re-statement precedes several new ideas of varying rhythms, keys and moods until moments of calm come with the classically more quiet second subject. But war soon returns, with off-beat rhythms and violent struggle, culminating in six hammering chords in two-time cutting right across the movement’s three-time. A few vigorous bars close the Exposition.

Upheavals and calm alternate for the rest of the movement. Notable in the Development is the most tremendous upheaval of all, culminating in a threefold shattering discord of F major with E natural in the brass, out of which mouth of the lion comes the honey of a brand-new lyrical melody, but still striding! Notable in the Coda is the fourfold repetition of the hero’s triumphant main theme, climaxing with inexorable logic in a blaze of glory. Lord, grant us heroes of the Faith, heroes both tender and valiant, heroes of the Church!

Kyrie eleison.